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Peter Saul Custom Car 1962

Peter Saul, Custom Car, 1962. Oil on canvas; 41 x 59 in (104.1 x 149.9 cm)

Peter Saul Personal Disease 1966

Peter Saul, Personal Disease, 1966. Acrylic and pen on canvas; 49 x 65 in (124.5 x 165.1 cm)

Peter Saul 1966

Peter Saul, Untitled, 1966. Ballpoint pen, colored pencil, crayon, marker, pencil on board, 41 x 54 in (104.1 x 137.2 cm) PSAUL012

Peter Saul, Jacqueline Kennedy, 1969

Peter Saul, Jacqueline Kennedy, 1969. Gouache, marker on board; 39 3/4 x 28 1/2 in (101 x 72.4 cm)
 

Peter Saul, Charles Starkweather, 1976. Acrylic and ballpoint pen on board; 37 x 28 1/8 in (94 x 71.4 cm)

Peter Saul, Charles Starkweather, 1976. Acrylic and ballpoint pen on board; 37 x 28 1/8 in (94 x 71.4 cm)

Peter Saul, Path to Self Knowledge, 1986

Peter Saul, Path to Self Knowledge, 1986. Acrylic, oil on paper; 40 3/8 x 59 3/8 in (102.6 x 150.8 cm)
 

Peter Saul Modern Home 1989

Peter Saul, Modern Home, 1989. Acrylic on canvas; 66 x 103 in (167.6 x 275 cm)

Peter Saul, Castro, Disguised as a Woman Destroys American Invader, 1994

Peter Saul, Castro, Disguised as a Woman Destroys American Invader, 1994. Paint, pencil, crayon on paperboard; 28 3/4 x 23 in (73 x 58.4 cm)

Peter Saul, Fidel Belongs to Us, 1995

Peter Saul, Fidel Belongs to Us, 1995. Paint, pencil, crayon on paperboard; 28 3/4 x 23 in (73 x 58.4 cm)
 

Peter Saul Cute Little Shark 2019

Peter Saul, Cute Little Shark, 2019. Acrylic, pencil, color pencil on paper; 31 x 23 in (78.7 x 58.4 cm)

Press Release

Peter Saul
Art Basel Online Viewing Room
Feature Sector
June 17 - 26, 2020


For the Feature Sector of the 2020 edition of the Art Basel Online Viewing Room, Venus Over Manhattan is pleased to present a digital exhibition of works by Peter Saul. The presentation comprises a group of important and historic works on canvas, paper, and board, that lambast political figures and skewer controversial social issues. Following a set of major career milestones in Saul’s fifty-year-long career, including a full scale retrospective at the New Museum curated by Massimiliano Gioni and Gary Carrion-Murayari, the presentation testifies to Saul’s position as one of the most important American painters of the last fifty years.

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