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Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Installation view of Made in Space, curated by Peter Harkawik and Laura Owens, Venus Over Manhattan, New York, 2013

Press Release

Press Release

Made in Space
curated by Peter Harkawik and Laura Owens
presented by Gavin Brown’s Enterprise and Venus Over Manhattan
July 11 - August 10, 2013
Opening: Thursday, July 11th, 6:00 - 8:00 pm

Venus Over Manhattan
980 Madison Avenue
New York, NY 10075

(New York, NY) – Venus Over Manhattan and Gavin Brown’s Enterprise, are pleased to present Made in Space, an exhibition curated by Peter Harkawik and Laura Owens.

Made in Space

1. Someone drank tea. Someone else felt that a specific kind of taco eaten at a particulargeographic location was like a drug. The spices generated a certain kind of energy, or, perhaps, muscle memory. It was 2012.

2. In 2002, “thoughts mixed and burned with gasoline” turned to Orange County, a web without a spider, The Citadel, Eden-Olympia. The commingling of purposefulness and aimlessness was understood to be the effect of Junkspace.

3. In 1981, Peter Schjeldahl took a trip to Los Angeles and wrote a short essay damning our city to a future of cultural irrelevance, lest it somehow invert each and every one of its unique features. He wrote, “The wishfulness of LA’s citizens is simply explained as the effect of a life that enforces independence to the point of autism. Try to lean on anything or anyone and you’ll fall down[…] Los Angeles is a city without public spaces. There are only private spaces–fenced haciendas of self-maintenance and self-invention–surrounded with the soft, dreamy, zinging-withlight nowhere in particular.” Much as Michael Fried’s write-off of minimalism as theater, Schjeldahl missed the point.

4. Participants in the 2010 TV series “Wipe Out” drove to Magic Mountain for jouissance: that is, being battered around by brightly colored, slowly rotating foam shapes.

5. In 1986, a pedestrian observed a pair of giant steel springs rolling down the sidewalk near the corner of Wilshire and La Brea. Elsewhere, aphasiacs watched Ronald Reagan on television and were not fooled by his affect. Because they lacked the ability to understand the intended significance of various facial expressions and/or gestures, their experience of his speech was divorced from his image, rendering it as inert and senseless as the printed word.

6. A shopper walks the isles of Home Depot in a stupor, hopelessly trying to assemble a mental list of life goals by way of immediate hardware purchases. Thoughts turn to the specific alienated labor that produced this situation. Is a kindred soul, another loser, in a cubicle somewhere, proliferating this amalgamation of thoughtless spatial constructs, endcap displays stacked to the sky? Is that person horny? Do they have a gaping flesh wound? A fixed quantity of gasoline was converted to smog today. It is 1999.

7. The Mall of America is constructed in 1992. The FDA urges surgeons to abandon silicone in breast implants and the first McDonald’s franchise is opened in China. In the words of French anthropologist Marc Augé, “Place and non-place are rather like opposed polarities: the first is never completely erased, the second never totally completed; they are like palimpsests on which the scrambled game of identity and relations is ceaselessly rewritten.”

8. Food is a variety of colors. We all eat food. Certain foods appear one color or another on account of food dye. Regardless of whether or not their color is a lie or we willingly suspend disbelief (as in the instance of a Starburst — is it the flavor “Lemon” or the flavor “Yellow”?), we all eat, and we all shit. In painting, mixing color is a complicated process involving the opacity of various pigments and substrates. Mixing too many colors results in a sludge that is invariably described as “muddy.” This is much like our digestive system. Foods we eat are broken down by procedures which work in concert; the enzymes in our mouth, the acids of our stomach. The color in foods is combined slowly in our body, until we shit, and see the result of our gastric color mixing: brown. In 2009, The Wrigley Company discontinued their unpopular “Baja California” Starburst flavor.

9. A person discovered a pile of feces directly in the middle of a pair of women’s size 10 red pumps. The distance between the shoes and the feces, which looked very much like a chocolatedipped frozen yogurt dessert, or a dog chew, indicated that the person could have been squatting and defecating. This tableau vivant was found in a parking lot behind a chinese restaurant in Beverly Hills in 2008. Every transaction leaves a remainder.

10. In 2001, an auto dealership on the 134 Freeway decided to expand its advertising by taking over an adjacent parking garage. Mannequins, waving and smiling, some posed with balloons, were installed on its upper levels. This visuality of the frontal, of the fleeting glance, produced a sensation not unlike V-effekt in passing drivers. Like a Brechtian stage play, their collective event was stripped of its self-evident nature. That same year, Elizabeth Grosz wrote, “Space, […] outside the ruses of imagination, is not static, fixed, infinitely expandable, infinitely divisible, concrete, extended, continuous, and homogenous, though perhaps we must think in these terms to continue our everyday lives (and the architect is perhaps more invested in this understanding of space than anyone else). Space, like time, is emergence and eruption, oriented not to the ordered, the controlled, the static, but to the event, to movement or action.”

11. In 1993, someone sat in a recliner in Long Beach with a VHS deck balanced on each knee. One screen played Hitchcock’s “Rope” while the other played Altman’s “Short Cuts.” Nearby, under a bridge, someone was feeling like his only companion was the city he lived in, the City of Angels. Around the same time, a wallet was left in El Segundo.

12. Two friends, both architects, drove to Brentwood in 1994. They got out of their car and ran alongside OJ Simpson’s Bronco, hoping to catch a glimpse of reality in progress and joining thousands of people on the streets and overpasses in communal euphoria.

13. Two curators drove by a flip flop in the road. This was mutually lauded for its demonstrative effect. It was 2013.

For further information about the exhibition and availability, please contact the gallery at info@venusovermanhattan.com

For all press inquiries related to the exhibition, please email press@venusovermanhattan.com

Lucas Blalock Sweater

Lucas Blalock
Sweater, 2012
chromogenic print
25 1/2 x 20 1/2 in
64.8 x 52.1 cm
3dition 3 of 3 + 2 APs

Lucas Blalock Plants

Lucas Blalock
Plants, 2013
chromogenic print
60 x 48 in
152.4 x 121.9 cm
edition 1 of 3 + 2 APs

Derek Boshier The Los Angeles Art Collectors - Mr + Mrs Rodin-Riddler

Derek Boshier
The Los Angeles Art Collectors - Mr + Mrs Rodin-Riddler, 2000
acrylic on canvas
72x 60 in
182.9 x 152.4 cm

Derek Boshier Made in Space

Derek Boshier
Made in Space, 2003
acrylic on canvas
84 x 137 in
213.4 x 348 cm

Jedediah Caesar Gleaner Stones

Jedediah Caesar
Gleaner Stones, 2008-2011
​96 bricks, collected materials, urethane and pigment
each: 8 x 3 x 4 in
each: 20.3 x 7.6 x 10.2 cm

Jedediah Caesar The Ruinsed

Jedediah Caesar
The Ruinsed, 2008
resin and mixed media, in 13 parts
overall: 136 x 81 in (345.4 x 205.7 cm)
each: 20 1/4 x 34 in (51.4 x 86.4 cm)

Joshua Callaghan Paperclip Figure #4

Joshua Callaghan
Paperclip Figure #4, 2011
nickel plated steel
62 x 13 x 10 in
157.5 x 33 x 25.4 cm

Joshua Callaghan Chicago Snow #1

Joshua Callaghan
Chicago Snow #1, 2012
eps foam, urethane resin, marble chips, pigmented sand, glass
24 x 50 x 20 in
(61 x 127 x 50.8 cm

Joshua Callaghan Chicago Snow #2

Joshua Callaghan
Chicago Snow #2, 2012
eps foam, urethane resin, marble chips, pigmented sand, glass
24 x 20 x 20 in
(61 x 50.8 x 50.8 cm

Joshua Callaghan Chicago Snow #3

Joshua Callaghan
Chicago Snow #3, 2012
eps foam, urethane resin, marble chips, pigmented sand, glass
24 x 20 x 20 in
61 x 50.8 x 50.8 cm

Joshua Callaghan Focus

Joshua Callaghan
Focus, 2013
charcoal on canvas
240 x 168 in
609.6 x 426.7 cm

Vanessa Conte Hot Bike (Freeway 2)

Vanessa Conte
Hot Bike (Freeway 2), 2013
acrylic on canvas
62 x 52 in
157.5 x 132.1 cm

Vanessa Conte Hot Bike (Freeway 3)

Vanessa Conte
Hot Bike (Freeway 3), 2013
acrylic on canvas
62 x 52 in
157.5 x 132.1 cm

Michael Decker Joe Cool, 2013

Michael Decker
Joe Cool, 2013
found t-shirts, polyester thread, carpet nails, painted wood, hardware
89 x 89 in
226.1 x 226.1 cm

Michael Decker Index of Questions

Michael Decker
Index of Questions, 2013
found t-shirts, polyester thread, staples, painted wood, hardware
96 x 72 x 1 in
243.8 x 182.9 x 2.5 cm

Gabrielle Ferrer

Gabrielle Ferrer
Cones, 2013
inkjet prints mounted on wood in 14 parts
each: 8 x 8 in
each: 20.3 x 20.3 cm
edition of 3
 

Gabrielle Ferrer The Navajo Blanket

Gabrielle Ferrer
The Navajo Blanket, 2011
watercolor on pages cut from The Navajo Blanket, LACMA Catalog, 1972
each: 12 x 8 1/2 in
each: 30.5 x 21.6 cm

Laeh Glenn () ()

Laeh Glenn
() (), 2013
oil on panel, wood
16 3/4 x 12 1/2 in
42.5 x 31.8 cm

Laeh Glenn ​Daises

Laeh Glenn
Daises, 2013
oil on panel, wood
16 3/4 x 12 1/2 in
42.5 x 31.8 cm

Laeh Glenn Fruit Relief (Black)

Laeh Glenn
Fruit Relief (Black), 2013
oil on panel, wood
17 x 12 1/2 in
43.2 x 31.8 cm

Laeh Glenn Ghost

Laeh Glenn
Ghost, 2013
oil on panel, wood
16 2/3 x 12 1/2 in
42.3 x 31.8 cm

Laeh Glenn Blue Fruit

Laeh Glenn
Blue Fruit, 2013
oil on panel, wood
16 3/4 x 12 1/2 in
42.5 x 31.8 cm

Laeh Glenn Introduction

Laeh Glenn
Introduction, 2013
oil on panel, wood
16 3/4 x 12 1/2 in
42.5 x 31.8 cm

Hannah Greely Smile

Hannah Greely
Smile, 2013
papier-mâché, chicken wire, gypsum cement, tempera, and polycril
28 x 45 x 22 in
71.1 x 114.3 x 55.9 cm

Jacob Wrestling The Angel

Hannah Greely
Jacob Wrestling The Angel, 2013
cardboard, canvas, glue, gypsum cement, tempera, and polycril
50 x 36 x 16 in
127 x 91.4 x 40.6 cm

Hannah Greely Conforms

Hannah Greely
Conforms, 2013
wood, glue, yard 14 parts:
each: 6 x 7 in
each: 15.2 x 17.8 cm

Marcia Hafif August 2, 2012

Marcia Hafif
August 2, 2012, 2012
ink on paper
21 x 26 1/2 in
53.3 x 67.3 cm

Marcia Hafif August 7, 2012

Marcia Hafif
August 7, 2012, 2012
inkn on paper
21 x 26 1/2 in
53.3 x 67.3 cm

Marcia Hafif Shade Paintings Group 1

Marcia Hafif
Shade Paintings Group 1, LB, 2013
oil on canvas, in 6 parts
each: 18 x 18 in
each:45.7 x 45.7 cm

Peter Harkawik Registration III

Peter Harkawik
Registration III, 2013
vinyl decals on clear polished vinyl, chrome plated steel
66 x 66 x 10 in
167.6 x 167.6 x 25.4 cm
edition 1 of 2

Peter Harkawik Untitled (colorblindness painting w/ dazzle camouflage toiletpaper #1)

Peter Harkawik
Untitled (colorblindness painting w/ dazzle camouflage toiletpaper #1), 2013
acrylic silkscreened on linen, chrome plated steel, silicone rubber on silicone rubber sheet
overall: 40 x 60 x 4 inches (101.6 x 152.4 x 10.2 cm)
tondo: 40 x 40 in (101.6 x 101.6 cm)
protruding element: 5 1/2 x 26 x 4 inches (14 x 66 x 10.2 cm)

Cannon Hudson Phantom Limb

Cannon Hudson
Phantom Limb, 2009
polychrome steel
48 x 31 x 14 in
121.9 x 78.7 x 35.6 cm

Cannon Hudson Isosceles

Cannon Hudson
Isosceles, 2013
acrylic and enamel on canvas
58 x 58 in
147.3 x 147.3 cm

Cannin Hudson D.R.

Cannin Hudson
D.R., 2013
oil and enamel on canvas
52 x 42 in
132.1 x 106.7 cm

Jim Isermann Untitled (2987)

Jim Isermann
Untitled (2987), 1987
enamel paint on wood
48 x 48 in
121.9 x 121.9 cm

Jim Isermann Untitled (0112)

Jim Isermann
Untitled (0112), 2012
cotton duck canvas, thread
70 1/2 x 72 in
179.1 x 182.9 cm

Jim Isermann Untitled (0113)

Jim Isermann
Untitled (0113), 2013
die-cut vinyl decals
dimensions variable overall
each: 19 1/2 x 22 1/2 in
each: 49.5 x 57.2 cm

 

Patrick Jackson Box

Patrick Jackson
Box, 2013
ceramic

Patrick Jackson Lazy Sunbather, 2013

Patrick Jackson
Lazy Sunbather, 2013
ceramic
10 x 3 x 2 in
25.4 x 7.6 x 5.1 cm

Patrick Jackson Maze

Patrick Jackson
Maze, 2013
ceramic

David Korty Film Strip (Blue Shelf 4)

David Korty
Film Strip (Blue Shelf 4), 2013
ink, gouache, paper and canvas
72 x 54 in
182.9 x 137.2 cm

David Korty Ringed Vases

David Korty
Ringed Vases, 2013
ceramic
various dimensions

Liz Larner 6

Liz Larner
6, 2010
polyurethane on stainless steel
69 x 92 x 49 in
175.3 x 233.7 x 124.5 cm

Liz Larner Volitant Solids

Liz Larner
Volitant Solids, 2010
ceramic and oil paint
30 x 24 1/4 x 4 in
76.2 x 61.6 x 10.2 cm

William Leavitt Lava

William Leavitt
Lava, 2013
flashe on canvas
36 x 65 in
91.4 x 165.1 cm

Tala Madani Flashlight with Rear Projection

Tala Madani
Flashlight with Rear Projection, 2013
oil on canvas
16 x 18 in
40.6 x 45.7 cm

Tala Madani Stone of Madness

Tala Madani
Stone of Madness, 2013
oil on canvas
18 x 15 in
45.7 x 38.1 cm

Joshua Mannis Another Trap?

Joshua Mannis
Another Trap?, 2013
ink on paper
19 3/4 x 17 3/4 in
50.2 x 45.1 cm

​Joshua Mannis At War with the Army

Joshua Mannis
At War with the Army, 2013
ink on paper
21 1/2 x 18 in
54.6 x 45.7 cm

Joshua Mannis Batman

Joshua Mannis
Batman, 2013
acrylic on aluminum and plastic on cotton
80 1/2 x 60 in
204.5 x 152.4 cm

Joshua Mannis Don't Turn Your Back, 2013

Joshua Mannis
Don't Turn Your Back, 2013
ink on paper
19 3/4 x 17 3/4 in
50.2 x 45.1 cm

Joshua Mannis International Style

Joshua Mannis
International Style, 2013
ink on paper
19 3/4 x 17 3/4 in
50.2 x 45.1 cm

Joshua Mannis So Much for Working Change from Within the System

Joshua Mannis
So Much for Working Change from Within the System, 2013
ink on paper
21 1/2 x 18 in
54.6 x 45.7 cm

Max Maslansky Dancers

Max Maslansky
Dancers, 2012
acrylic on bed sheet
52 x 40 in
132.1 x 101.6 cm

Max Maslansky Legs

Max Maslansky
Legs, 2013
acrylic on bed sheet
75 x 38 in
190.5 x 96.5 cm

Jesse Mockrin Midnight Circus

Jesse Mockrin
Midnight Circus, 2013
oil on linen
34 x 23 inches
86.4 x 58.4 cm

Jesse Mockrin Mirror Mirror

Jesse Mockrin
Mirror Mirror, 2013
oil on canvas
34 x 23 in
86.4 x 58.4 cm

Rebecca Morris Untitled (#04-10)

Rebecca Morris
Untitled (#04-10), 2010
oil on canvas
76 x 76 in
193 x 193 cm

Rebecca Morris Untitled (#02-13)

Rebecca Morris
Untitled (#02-13), 2013
oil on canvas
106 x 80 1/2 in
269.2 x 204.5 cm

Davida Nemeroff box stall

Davida Nemeroff
box stall, 2013
digital inkjet print
40 x 30 in
101.6 x 76.2 cm

Davida Nemeroff Junior

Davida Nemeroff
Junior, 2012
inkjet print mounted on sintra
36 x 48 in
91.4 x 121.9 cm
edition 2 of 3 + 1 AP

Eric Orr Ngorongoro

Eric Orr
Ngorongoro, 1990
oil on canvas with lead frame
36 x 29 in
91.4 x 73.7 cm

Eric Orr Radio Play

Eric Orr
Radio Play, 1990
meteorite dust, bone, radio parts, artist's blood, gold leaf and lead
15 1/2 x 13 1/2 in
39.4 x 34.3 cm

Eric Orr Taveuni

Eric Orr
Taveuni, 1990
oil on canvas in lead fram
36 x 29 in
91.4 x 73.7 cm

Jorge Pardo Untitled

Jorge Pardo
Untitled, 2013
acrylic, brass, aluminum, rubber and light fixture
28 1/4 x 21 1/4 in
71.8 x 54 cm

Jorge Pardo ​Untitled

Jorge Pardo
Untitled, 2007
silkscreen on unprimed linen, inkjet on canvas and polyester shantung
106 1/4 x 82 1/2 x 2 in
269.9 x 209.6 x 5.1 cm

Marina Pinsky Role Model I

Marina Pinsky
Role Model I, 2013
inkjet print on aluminum and polyisocyanurate foam
96 x 29 x 10 in
243.8 x 73.7 x 25.4 cm

Marina Pinsky Role Model too

Marina Pinsky
Role Model too, 2013
inkjet print on aluminum, fiberboard, and polyisocyanurate foam
48 x 60 x 24 in
121.9 x 152.4 x 61 cm

Allen Ruppersberg Honey, I rearranged the collection trying to make a purse out of a sow's ear

Allen Ruppersberg
Honey, I rearranged the collection trying to make a purse out of a sow's ear, 2011
silkscreen, ink and graphite on paper
22 x 25 in
55.9 x 63.5 cm

Asha Schechter Picture 050 (Artistic Sculpture of Thought, Trveit_03, Character Cartoon Football, Alphabet Pattern)

Asha Schechter
Picture 050 (Artistic Sculpture of Thought, Trveit_03, Character Cartoon Football, Alphabet Pattern), 2013
chromogenic print
30 x 40 in
76.2 x 101.6 cm

Asha Schechter Picture 058 (Waste Paper Basket, RealD 3D Glasses, Hummingbird Pose1, Peter Jensen Silk Blouse from Jutte, A/W 2009)

Asha Schechter
Picture 058 (Waste Paper Basket, RealD 3D Glasses, Hummingbird Pose1, Peter Jensen Silk Blouse from Jutte, A/W 2009), 2013
chromogenic print
30 x 40 in
76.2 x 101.6 cm

Asha Schechter Picture 059 (Picture 050 Pt. 2, Artistic Sculpture of Thought, Trivet_03, Character Cartoon Football, Alphabet Pattern on Silk)

Asha Schechter
Picture 059 (Picture 050 Pt. 2, Artistic Sculpture of Thought, Trivet_03, Character Cartoon Football, Alphabet Pattern on Silk), 2013
chromogenic print
30 x 40 in
76.2 x 101.6 cm

Asha Schechter Picture 066b (Rubiks Cube, Clear Book, Clubmasters, Rubiks Cube, Vintage Pictures Retro Photos Cotton Fabric, Thumb Tack)

Asha Schechter
Picture 066b (Rubiks Cube, Clear Book, Clubmasters, Rubiks Cube, Vintage Pictures Retro Photos Cotton Fabric, Thumb Tack), 2013
chromogenic print
30 x 40 in
76.2 x 101.6 cm

John Seal Caught in a Glance

John Seal
Caught in a Glance, 2013
oil on canvas
50 x 60 in
127 x 152.4 cm

John Seal The Darkness of Day

John Seal
The Darkness of Day, 2013
oil on canvas, oak
87 x 53 x 16 in
221 x 134.6 x 40.6 cm

John Seal

John Seal
Untitled, 2013
oil on canvas
53 x 50 in
134.6 x 127 cm

John Seal Twice My Love Hath Been Before Me

John Seal
Twice My Love Hath Been Before Me, 2013
oil on canvas, oil on paper clay and copper
canvas: 36 x 32 in (91.4 x 81.3 cm)
vase/flower: 15 x 5 x 5 in (38.1 x 12.7 x 12.7 cm)

Peter Shire Rod and Transit

Peter Shire
Rod and Transit, 1984
steel and polyurethane enamel
31 x 60 x 60 in
78.7 x 152.4 x 152.4 cm

Peter Shire Bianchi

Peter Shire
Bianchi, 2012
steel and polyurethane enamel
76 x 46 in
193 x 116.8 cm

Mungo Thomson June 25, 2001 (How the Universe Will End) and March 6, 1995 (When Did the Universe Begin?)

Mungo Thomson
June 25, 2001 (How the Universe Will End) and March 6, 1995 (When Did the Universe Begin?), 2012
enamel on low-iron mirror, poplar and anodized aluminum, 2 parts
each: 74 x 56 in
each: 188 x 142.2 cm

Mungo Thomson December 28, 1992 (What Does Science Tell Us About God?)

Mungo Thomson
December 28, 1992 (What Does Science Tell Us About God?), 2013
enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 in
188 x 142.2 cm

Aaron Wrinkle Narrative Painting 1, Androgynous Figure w/ Guitar, Strumming Device and Cigarette

Aaron Wrinkle
Narrative Painting 1, Androgynous Figure w/ Guitar, Strumming Device and Cigarette, 2013
latex and Ameriana craft acrylic on canvas
60 x 48 x 2 1/2 in
152.4 x 121.9 x 6.4 cm

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